Laugh In The Dark: Aimee Mann & Ted Leo's The Both at 10
For those of us raised on the gospel of “The Velvet Underground & Nico's debut album only sold
Endtime Buddies: Notes on Lungfish and Bonnie Prince Billy, In the Approximate Spirit of One of The Longer Lungfish or Bonnie Prince Billy Songs
Hello all, Today is my birthday and I'm taking full advantage of it by being as wildly self
Crisis On Swiftinite Earths: Notes On Tortured Poets Dept.
As far as subsisting in a simulated reality goes, there are worse matrices to toil under than this one built
Demonstrating Their Paranoid Style: Notes on The Interrogator
The Paranoid Style is the title of a 1964 essay I haven’t read but have read enough tweets about
The Goop Hits The Grinch: Music Journalism May Have to Write Its Own Obituary For Free
At the end of January, overnight, with only eight years of buildup, Pitchfork went from being “The Most Trusted Voice
Risk Is Art: 50 Good Albums from 2023
So, I couldn’t make it through the boygenius album, but thought they were absolutely fab on SNL. I love
The Next Big Thing: Notes on Punk, Pop Punk, Garage Punk, the Riverboat Gamblers, What's What, and Something To Crow About at 20
In a perfect world, Riverboat Gamblers would have been bigger than Blink-182. Failing that, they’d have settled for being
If This is Heaven I'm Bailing Out (reviews of new Birthday Party doc + Armand Hammer album)
On June 9th, hours before my own birthday party was getting started, the other Birthday Party, with a comparable amount
Geese, Rhys, Warp, and Retirement
Welcome to the newest Abundant Living! I’ve been too busy working on new demos for Telematics and Publicist UK
Never Get Old
WARNING: This is one of those “making an artist about oneself” essays that you may hate. And you’re not
